Curtis Plate 955 Perfoliate Uvularia
Out of stock
This original hand-colored engraving from The Botanical Magazine, or Flower-Garden Displayed created in 1806 by James Sowerby illustrates flowering plants.
Additional Information
Weight | 6 oz |
---|---|
Dimensions | 1 × 5.5 × 9.25 in |
Art Type | Hand-colored engraving |
Style | Antique print |
Date Created | 1806 |
Publication Title | The Botanical Magazine, The Botanical Magazine or Flower-Garden Displayed |
Illustrator | |
Publication Author | John Sims M.D. |
Printer | Stephen Couchman |
Expected Shipment Timeline | Ships in 1 – 2 business days |
Art size | Small |
Time Period | 1800-1849 |
Subject | Flowers |
Color Family | Earth-tone colors |
Orientation | Portrait |
Condition | Good antique condition |
Text Pages Included | No text page included |
Framing | Unframed, Walnut Frame, Beaded Urban Silver Frame, Braided Ribbon Gold Frame |
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Curtis’s Botanical Magazine
The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication started in 1787 by William Curtis. It is widely referred to by the Curtis’s Botanical Magazine, the name given after William Curtis’ death in 1799.
Hand-colored engravings from Curtis’s Botanical Magazine, meticulously crafted between 1790 and 1850, are available for sale. These botanical illustrations are not only cherished historical artifacts but also coveted collectibles for enthusiasts of botanical art and natural history. These exquisite pieces, offering glimpses into the botanical wonders of past centuries, are often sought after by collectors, decorators, and individuals with a passion for botany and art.
The botanical illustrations were created by a number of artists. The first volumes were illustrated by Sydenham Edwards and James Sowerby. After a couple years, James Sowerby went on to publish English Botany. Walter Hood Fitch started creating illustrations in 1826 after the botanical publication had become well known for exotic flowering plants. Fitch is well known for his illustrations of orchids.
The first thirty volumes used copper engraving to illustrate the plates which were hand-colored by up to thirty people. Lithography was used later but the prints continued to be hand-colored for much longer than other publications at the time.
The publication has been considered to be the premier journal for early botanical illustration.
Owning a hand-colored engraving from Curtis’s Botanical Magazine is like possessing a piece of botanical history, a tangible link to the pioneering efforts of botanists and illustrators who sought to document and understand the world’s plant diversity. Each engraving is a testament to the enduring beauty and fascination of the plant kingdom, as well as the skill and dedication of those who sought to capture it on paper for posterity.
Brighten any room with a mixture of framed botanical illustration from Curtis’s Botanical Magazine. In the center is a fine art print showcasing American native plants from illustrations in Curtis’s Botanical Magazine. The smaller prints are octavo size and double octavo size hand-colored engravings from early volumes of Curtis’s Botanical Magazine.
Each engraving tells a unique story, depicting plant specimens discovered and documented by botanists and explorers during a time of great scientific exploration and discovery. Whether one is drawn to the delicate beauty of a particular flower or the historical significance of a botanical illustration, owning a hand-colored engraving from Curtis’s Botanical Magazine is a way to connect with the rich tapestry of botanical knowledge and discovery that has shaped our understanding of the natural world.
Each engraving in Curtis’s Botanical Magazine is a masterpiece of precision and artistry, meticulously hand-colored to bring out the subtle nuances of each plant specimen. These images served not only to delight the eyes but also to educate and inspire generations of botanists, naturalists, and garden enthusiasts.
Beyond their aesthetic appeal, the engravings in Curtis’s Botanical Magazine are valuable historical documents, chronicling the botanical wonders encountered by explorers and naturalists during a time of burgeoning scientific discovery. They capture the spirit of curiosity and discovery that characterized the Age of Enlightenment, when the natural world was viewed with a sense of wonder and awe.
While original hand-colored engravings from Curtis’s Botanical Magazine are rare and highly prized, they do occasionally become available for sale through reputable antique dealers, auction houses, and specialized botanical art galleries. Acquiring one of these engravings allows one to own a tangible piece of botanical history, a testament to the meticulous craftsmanship and artistic vision of the era.